Looking to further your education? Maybe get a degree that will help you land a job in the entertainment industry? This interview with Dr. Joe Hall, Associate Professor & Area Coordinator, University of Central Florida might be for you.
The camera’s lens is probably more expensive than that car you’re driving now. Here’s a detailed look at all of those buttons, switches and moving parts so that you don’t accidentally ruin your career.
Tim Bartlett and I discuss the role of General Manager for a large-scale production company and the importance of interning in the entertainment industry.
In order to be a great camera operator, you must first understand how your equipment works. In this post you will learn a little about the inner-workings of a professional 3-CCD camcorder. It’s not as fun as shooting a skateboarding video, but it may help you figure out what to tell the manufacturer when fall on your camera and it stops working.
Do you know the difference between composite, component and digital signals? Are you sure? I’ll bet you might learn a thing or two about how to properly hook up those colorful cables that you see lying around the edit suite . . .
Getting the itch to start cutting some cool videos? Before you jump into the editing hot-seat, take the time to learn some of the basics.
Without good audio, your production is pointless. Make it a point to always consider audio BEFORE you begin any production. Your editor will thank you.
It is important to be prepared for any situation so try to keep a backpack loaded with the stuff that you need to survive the grueling workload of a PA. This article highlights the things that are essential for you to bring with you each and every day while on set.
One of the building blocks of production equipment – the C-stand. This article will talk about the basics of properly using a C-stand.
Learning how to wrap cables is usually the first thing a new crew member learns. It is a skill that is universal in the production community and may help keep your apartment tidy as well.