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	<title>Production Apprentice &#187; On Location</title>
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		<title>My journey back to Avid Media Composer</title>
		<link>http://www.productionapprentice.com/articles/on-location/my-journey-back-to-avid-media-composer/</link>
		<comments>http://www.productionapprentice.com/articles/on-location/my-journey-back-to-avid-media-composer/#comments</comments>
		<pubDate>Mon, 15 Aug 2011 15:42:49 +0000</pubDate>
		<dc:creator>John DeMaio</dc:creator>
				<category><![CDATA[On Location]]></category>

		<guid isPermaLink="false">http://www.productionapprentice.com/?p=4484</guid>
		<description><![CDATA[
			
				
			
		
I began editing professionally in 1997. It started with a Sony BVE-9100 linear system,

then migrated into the world of NLE systems beginning with D-Vision, which became the Discreet Edit.

Moved on to Avid Media Composer in 1999 and also (somewhere in the 2000-2002 range) I had a brief stint with DPS Velocity. However,  the Avid Media [...]]]></description>
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		<title>The Canon 5D Mark II captures a key action sequence for Iron Man 2</title>
		<link>http://www.productionapprentice.com/articles/on-location/the-canon-5d-mark-ii-captures-a-key-action-sequence-for-iron-man-2/</link>
		<comments>http://www.productionapprentice.com/articles/on-location/the-canon-5d-mark-ii-captures-a-key-action-sequence-for-iron-man-2/#comments</comments>
		<pubDate>Fri, 01 Oct 2010 15:56:19 +0000</pubDate>
		<dc:creator>John DeMaio</dc:creator>
				<category><![CDATA[On Location]]></category>

		<guid isPermaLink="false">http://www.productionapprentice.com/?p=3909</guid>
		<description><![CDATA[
			
				
			
		
It&#8217;s definitely time to start paying attention to Canon. Their DSLR cameras are making fantastic independent short films, they&#8217;re popping up on the sets of hit television shows and they&#8217;re finding their way onto blockbuster feature films. For this article, we are going to focus on how cinematographer Matthew Libatique utilized the Canon 5D Mark [...]]]></description>
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		<title>Wheelhouse Creative&#8217;s All I Ever Wanted comes alive with the help of Canon and Avid</title>
		<link>http://www.productionapprentice.com/articles/on-location/wheelhouse-creatives-all-i-ever-wanted-comes-alive-with-the-help-of-canon-and-avid/</link>
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		<pubDate>Mon, 27 Sep 2010 15:30:01 +0000</pubDate>
		<dc:creator>John DeMaio</dc:creator>
				<category><![CDATA[On Location]]></category>
		<category><![CDATA[all i ever wanted]]></category>
		<category><![CDATA[avid]]></category>
		<category><![CDATA[canon 7d]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[dslr]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[hdslr]]></category>
		<category><![CDATA[wheelhouse creative]]></category>

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		<description><![CDATA[Go behind the scenes with Wheelhouse Creative and see what it takes to construct a documentary with Canon 7D cameras and Avid systems]]></description>
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		<title>700 MHz wireless mics DO have issues</title>
		<link>http://www.productionapprentice.com/articles/on-location/700-mhz-wireless-mics-do-have-issues/</link>
		<comments>http://www.productionapprentice.com/articles/on-location/700-mhz-wireless-mics-do-have-issues/#comments</comments>
		<pubDate>Wed, 19 May 2010 04:29:05 +0000</pubDate>
		<dc:creator>John DeMaio</dc:creator>
				<category><![CDATA[On Location]]></category>
		<category><![CDATA[700 mhz]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[fcc]]></category>
		<category><![CDATA[wireless]]></category>

		<guid isPermaLink="false">http://www.productionapprentice.com/?p=2716</guid>
		<description><![CDATA[
			
				
			
		
I live in Orlando and it&#8217;s safe to say that there are quite a few theme  parks in the area. I happened to be working in one of those today and we  were using 10 different wireless microphones. Some of these happened to be on the ill-fated 700 MHz band. From all that [...]]]></description>
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		<title>How does Fox Sports get such great visuals for NASCAR? Ask DP Skip Clark from Go To Team</title>
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		<comments>http://www.productionapprentice.com/featured/how-does-fox-sports-get-such-great-visuals-for-nascar-ask-dp-skip-clark-from-go-to-team/#comments</comments>
		<pubDate>Fri, 05 Mar 2010 14:16:26 +0000</pubDate>
		<dc:creator>John DeMaio</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[On Location]]></category>
		<category><![CDATA[fox]]></category>
		<category><![CDATA[fox sports]]></category>
		<category><![CDATA[go to team]]></category>
		<category><![CDATA[hangar]]></category>
		<category><![CDATA[hangar shoot]]></category>
		<category><![CDATA[nascar]]></category>
		<category><![CDATA[Production]]></category>
		<category><![CDATA[skip clark]]></category>
		<category><![CDATA[studio]]></category>

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		<description><![CDATA[Go To Team's Skip Clark, the DP in charge of the NASCAR Hangar Shoot for Fox Sports, gives us a behind-the-scenes look at how they get those great visuals for NASCAR on Fox. ]]></description>
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