On 08.15.11, In On Location, by John DeMaio
Tweet I began editing professionally in 1997. It started with a Sony BVE-9100 linear system, then migrated into the world of NLE systems beginning with D-Vision, which became the Discreet Edit. Moved on to Avid Media Composer in 1999 and also (somewhere in the 2000-2002 range) I had a brief stint with DPS Velocity. However, [...]
On 10.01.10, In On Location, by John DeMaio
Tweet It’s definitely time to start paying attention to Canon. Their DSLR cameras are making fantastic independent short films, they’re popping up on the sets of hit television shows and they’re finding their way onto blockbuster feature films. For this article, we are going to focus on how cinematographer Matthew Libatique utilized the Canon 5D [...]
On 09.27.10, In On Location, by John DeMaio
Go behind the scenes with Wheelhouse Creative and see what it takes to construct a documentary with Canon 7D cameras and Avid systems
On 05.18.10, In On Location, by John DeMaio
Tweet I live in Orlando and it’s safe to say that there are quite a few theme parks in the area. I happened to be working in one of those today and we were using 10 different wireless microphones. Some of these happened to be on the ill-fated 700 MHz band. From all that I [...]
Go To Team’s Skip Clark, the DP in charge of the NASCAR Hangar Shoot for Fox Sports, gives us a behind-the-scenes look at how they get those great visuals for NASCAR on Fox.
Page 1 of 11
Acknowledged By
